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An exhaustive exploration of every Met Gala theme in its sartorial history 

The announcement of the 2026 Met Gala theme offers the perfect moment to look back at the concepts that have shaped its history
A blue staired carpet with flowers ad woman in a red dress and hat for met gala theme articleImage: Getty

Taking place annually, the Met Gala has firmly positioned itself as the most important fashion event. The ancillary theme dictates dress code and décor, and complements the adjoining exhibition at the Metropolitan Museum of Art. Each year’s concept corresponds to the Costume Institute’s major exhibition, anchoring the gala in something more than celebrity pageantry. The theme offers designers and guests a creative brief, shaping silhouette, references and the broader mood of the not-always-red carpet. It alchemises what could be a directionless procession of gowns into a cultural conversation, placing fashion in dialogue with art, history and society.

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A black painted gallery with statues modelling costumes at the MET
Image: getty

With the recent announcement of the prodigious theme being Costume Art the inherent relationship between clothing and the body we thought it was time to take a look back at the archives and get nostalgic over some of the most memorable Met Gala themes.

1999 – Rock Style

two women wearing shirts that say 'ROCK Royalty' and jeans posing
Image: getty

Rock Style was a Costume Institute exhibition created in collaboration with the Rock and Roll Hall of Fame and Museum, on view from late 1999 to early 2000. The exhibition traced the influence of more than 40 rock ’N’ roll performers on fashion from the 1950s onward, presenting memorabilia drawn from institutional archives and the private collections of musicians themselves. Figures such as Elvis Presley, The Beatles, Aretha Franklin, Janis Joplin, Jimi Hendrix, David Bowie, Tina Turner, Elton John, Stevie Nicks, Bruce Springsteen, Grace Jones, Madonna and Björk buoyed the ongoing dialogue between rock music and style.

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2004 – Dangerous Liaisons: Fashion and Furniture in the 18th Century

Three women dressed up in costumes, middle in a black dress, posing
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Drawing on the world of Choderlos de Laclos’s Dangerous Liaisons, the 2025 annual gala explored an era in which romantic intrigue seduction, manipulation, strategic affairs shaped the patterns of elite society. The accompanying exhibit traced how instruction, seduction and social manoeuvring defined the period, following characters such as Cécile and Valmon as they navigated a courtly landscape where intimacy functioned as currency and competition.

2006 – Anglomania: Tradition and Transgression in British Fashion

A man in a red dress posing with a man in red top, sparkly pants and black jacket on red carpet stairs
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The 2006 concept aligned with AngloMania – an exhibit that traced the rise of Anglomania in Europe during the eighteenth century. The theme examined how English culture from the class system and pageantry to sport, eccentricity, the country garden and the figure of the gentleman shaped European and American imagination. Drawing on references from Samuel Richardson’s novels to the paintings of George Stubbs and William Hogarth, the exhibition explored how “Englishness” emerged as a construct fashioned through external fascination and the narratives the English cultivated themselves.

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2008 – Superheroes: Fashion and Fantasy

A gallery room with a red dress and floating red hat
Image: getty

The 2008 Met Gala turned its attention to the influence of the superhero, tracing how both costume and superhuman attributes speed, strength and agility filtered into streetwear and high fashion. With the ancillary exhibit examining the ways pop-cultural archetypes can influence silhouettes, materials and the broader visual of contemporary style. Additionally, taking a closer look at how radical couture, avant-garde sportswear and state-of-the-art military garments as seen through the lens of the superhero can be metaphors for sex, power and politics.

2016 – Manus x Machina: Fashion in an Age of Technology

A blonde woman standing on a red carpet wearing a pink gown
Image: getty

Manus x Machina: Fashion in an Age of Technology was the 2016 concept that saw the evolving relationship between handmade craft and machine-led production. The accompanying Costume Institute exhibition showcased more than 100 pieces of haute couture and ready-to-wear, tracing how technology reshapes fashion’s traditional boundaries. On the red carpet, Claire Danes appeared in a gown illuminated by integrated lighting, while Emma Watson wore a five-piece Calvin Klein Collection look crafted from recycled plastic bottles.

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2018 – Heavenly Bodies: Fashion and the Catholic Imagination

A woman and man posing in a gold dress on a gold carpet
Image: getty

The 2018 Met Gala theme, Heavenly Bodies: Fashion and the Catholic Imagination, unfolded as one of the most ambitious Costume Institute exhibitions, bringing together hundreds of religious objects, including dozens of rarely seen artifacts loaned directly from the Vatican. On the red carpet, guests embraced the night’s ecclesiastical brief with theatrical precision, marking the year as one of the gala’s most visually arresting interpretations.

2021 – About Time: Fashion and Duration

A woman wearing a peach gown surrounded by men wearing black suits
Image: getty

Inspired by the red, white and blue silk sash from Prabal Gurung’s 10th-anniversary collection, the 2021 Met Gala theme titled In America: A Lexicon of Fashion focused on contemporary American design. The accompanying exhibit coalesced more than 100 works from designers spanning Marc Jacobs to La Réunion, forming a survey of modern American craftmanship. The evening’s interpretation of the official dress code, American Independence, grounded the night within the broader conversation surrounding American fashion identity.

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2025 – Superheroes: Fashion and Fantasy

A group of men wearing black suits posing on a blue carpet
Image: getty

The Met Gala theme for 2025 centred on the Costume Institute’s spring exhibition Superfine: Tailoring Black Style, organised by head curator Andrew Bolton with guest curator Monica Miller, proffer of Africana Studies at Barnard College and Columbia University. Miller, whose 2009 tome Salves to Fashion examined Black dandyism and diasporic identity, helped shape an exhibition that pays homage to the late André Leon Talley. Guests catalysed he theme in looks that dissected the finer points of tailoring a fitting gesture for a Costume Institute exhibition notable as the first since 2003 to focus exclusively on menswear.

2024 – Sleeping Beauties: Reawakening Fashion

2023 – Karl Lagerfeld: A Line of Beauty

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2022 – In America: An Anthology of Fashion

2020 – About Time: Fashion and Duration

2019 – Camp: Notes on Fashion

2017 – Rei Kawakubo/Comme des Garçons: Art of the In-Between

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2015 – China: Through the Looking Glass

2014 – Charles James: Beyond Fashion

2013 – Punk: Chaos to Couture

2012 – Schiaparelli and Prada: Impossible Conversations

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2011 – Alexander McQueen: Untamed Beauty

2010 – American Woman: Fashioning a National Identity

2009 – The Model as Muse: Embodying Fashion

2007 – Poiret: King of Fashion

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2005 – The House of Chanel

2003 – Goddess: The Classical Mode

2002: No theme

2001 – Jacqueline Kennedy: The White House Years

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2000: No theme

1998 – Cubism and Fashion

1997 – Gianni Versace

1996 – Christian Dior

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1995 – Haute Couture

What is the 2026 Met Gala theme?

The Met Gala 2026 theme is Costume Art, which aligns with the Costume Institute’s exhibition of the same name. The theme examines fashion as a form of art, highlighting the relationship between clothing, the body and cultural expression.

Does Met Gala have a theme every year?

Yes. The Met Gala has a yearly theme that determines the event’s dress code and décor, and aligns with the accompanying exhibition at the Metropolitan Museum of Art. Each year’s concept reflects the Costume Institute’s major exhibition, providing a cohesive framework for the gala.

What is the purpose of Met Gala?

The Met Gala is held each year to raise funds for the Metropolitan Museum of Art’s Costume Institute, the museum’s only self-funded department. It also serves to open the institute’s annual fashion exhibition.

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