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Jamie Durie’s Luxury Off-Grid Home Hits The Market

After a decade-long labour of love, the landscaper and his young family are moving on.
Jamie Durie in his Avalon house for sale wearing a black t shirt and jeans standing in his living room smiling.
Photography: Alana Landsberry

Jamie Durie’s house on Sydney’s Northern Beaches was going to be a prefab that took three months to build, but ended up being a vast concrete new build on nine levels – involving 16 trades and 30 suppliers. It all began in 2015 with a call from a friend, alerting the high-profile landscape designer and TV personality to a deceased estate for sale on a coveted patch of Avalon waterfront.

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The original 1950s ‘beach shack’ on the block was cute and livable (its black mould, asbestos and invasive weeds were just about under control), so bachelor Jamie moved in and began planning his ideal home.

“I wanted to see where the sun fell et cetera, and to modify it from there,” he says. “In my business as a landscape architect, I’ve designed a lot of big projects and many hotels worldwide and my head was exploding with ideas.”

Jamie Durie’s Sydney home has been a 10-year passion project, championing sustainable design and the Australian landscape. Two spotted gums frame the view from the multistorey home, which is painted Nutech Lilly Pilly. (Photography: Alana Landsberry | Styling: Maria Papantoniou)

By 2020, Jamie had met singer/songwriter Ameka Jane, with whom he now has two children: a daughter, Beau, and a son, Nash, aged three and two, respectively.

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A luxurious family home was on the cards, but there was a catch: the 37-degree block and seven large native trees to protect meant no builder would attempt the prefab concept. Instead, Jamie worked with mentors and industry friends on a floor plan that was DA approved, before handing it to architecture firm Silvester Fuller for documentation. “The design was complicated, and I needed someone with a refined eye to bring it to life,” he explains.

A mix of Devil’s Ivy (Epipremnum aureum) and Rhipsalis sp drape over the mezzanine balcony, while a large fan and a custom light fitting by Jamie Durie and architect Silvester Fuller, both from Beacon Lighting, fill the void above the living space. Original 1970s ‘DS88’ sofa by de Sede found on a trip to Copenhagen. ‘Catavento’ Brazilian rosewood coffee table from Vampt Vintage Design. (Photography: Alana Landsberry | Styling: Maria Papantoniou)

Life is a key concept in the finished home, which houses a growing family (two with asthma) benefiting from top-to-toe eco principles and biophilic design (there are 330 oxygen-emitting plants in the living room alone).

All of it, from the EV-charging parking zone and eight more levels – a child-friendly rooftop garden, a mezzanine, living areas, sleeping areas, a gym and wellness level, a guest house (below the main house), a grotto underneath and a boathouse at water level – meet Jamie’s brief for “a functional, beautiful home that’s also kind to the planet.”

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In the kitchen, Calacatta benchtops and splashback by Neolith. Cabinetry in Polytec ‘Notaio Walnut’. Handles from Savage Design. ‘Rock Salt’ floor tiles (throughout) from Beaumont Tiles. (Photography: Alana Landsberry | Styling: Maria Papantoniou)

Such consideration began with the construction of the garden, installed three years before excavation to control erosion. Dilcara, a specialist in multi-residential projects, helmed the 21-month build and shared Jamie’s commitment to sustainability from the outset, when they arranged to recycle the old concrete slab through Boral Australia. The new ones, made from ‘Envisia’, have vastly reduced carbon levels and the formwork on top is CSR’s ‘Rediwall’.

The spotted-gum staircase has a well-stocked cellar underneath. (Photography: Alana Landsberry | Styling: Maria Papantoniou)

Five years of Jamie’s research into green techniques and materials has resulted in a solar-powered, off-grid home heated and cooled by geothermal energy (“In Europe it’s been used for over 100 years,” he points out), without using fossil fuels or gas.

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The lighting is LED, the lift (barely used by the energetic family) and garden inclinator are electric, and the internal temperature is moderated by heated slabs and walls coated in zero-VOC paints that actually absorb carbon dioxide.

A bamboo screen from House of Bamboo wraps the walls of the main bedroom. ‘Correa’ wool carpet in Eucalyptus from Carpet Court. Jamie Durie for Riva 1920 ‘Tubular’ shelving unit from Fanuli, filled with items collected from Jamie and Ameka’s travels. ‘Dawson’ bed from Castlery. ‘Sunday Morning’ blanket, organic canvas quilt cover and ‘Up River’ rectangle cushion from Pony Rider. ‘Halo’ floor lamp from Vampt Vintage Design. Black and white stripe Bitossi ‘Chalice’ vase by Ettore Sottsass from Space. (Photography: Alana Landsberry | Styling: Maria Papantoniou)

Topping the kitchen bench is almost indestructible Neolith silica-free stone (not engineered), which is recyclable. Sustainably sourced spotted gum was chosen for the feature staircase and shelving, the carpets are made from ocean plastic and all the fabrics are natural fibres.

Aside from being a bastion of eco-friendliness and energy efficiency, two key elements were essential to Jamie’s vision: sandstone and native plants. “This site was full of Sydney sandstone,” he says.

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“I pushed to keep that stone because I wanted people to feel like they were walking into what was already there, which is why the facade is heavily articulated with sandstone screens and I created vertical gardens of predominantly natives structured by geotextile fabric, made from plastic bottles. I’m big on turning waste into wonderful.”

Ameka relaxes on a Børge Mogensen chair from Vampt Vintage Design in a corner of the living area. Totem sculpture by Karim Rashid for Riva 1920. Stacked sculpture on ground from Edo Arts. (Photography: Alana Landsberry | Styling: Maria Papantoniou)

In addition to the hundreds of metres of green walls are 14 garden spaces resplendent with more than 2500 plants, among them rarities like the Wollemi pine. Clear favourites of Jamie’s are the two 400-year-old Macrozamia moorei cycads from Queensland, each weighing 3.5 tonnes, craned in and planted behind the boathouse.

In the living room, Jamie Durie for Riva 1920 ‘Bungalow’ armchair and side table from Fanuli. Japanese screen from Kyoto. Carlo Nason floor lamp from Vampt Vintage Design. Curtains from Luxaflex. ( Photography: Alana Landsberry | Styling: Maria Papantoniou)
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Outside the mezzanine level, near the entrance, is Jamie’s cherished collection of bonsai. “I have a ginkgo biloba, peach, juniper and willow,” he says. “I love looking after them – it’s my forced meditation. I chose the plinths because they’re the closest thing to Kimberley sandstone that I could find. Back in 2008, I received a gold medal at the Chelsea Flower Show in London and got to meet the Queen. We spoke for about 10 minutes and all she talked about was the colour of the Kimberley sandstone I’d used, so that was a big moment in my career.”

Workouts are enjoyed indoors or out, followed by a soak in the ‘Kyoto’ bathtub by Jamie Durie. Cycling Bears supplied the gym equipment. Creeping boobialla (Myoporum parvifolium) trails down from above. (Photography: Alana Landsberry | Styling: Maria Papantoniou)

Also on the mezzanine is a vintage Blüthner piano, where Ameka has been prepping for an upcoming album release. She met Jamie in the US as a TV producer and has maintained that behind-the-scenes stance while clearly demonstrating her exquisite taste in all the joint design decisions. Those include an original 1970s ‘DS88’ leather sofa by de Sede in the living room (bought on a trip to Copenhagen for a considerable sum) and a number of pieces from Fanuli, some designed by Jamie for Italian artisanal furniture company Riva 1920. Indigenous artworks and nature-themed sculptures also abound.

In the ensuite, ‘MatchUp Sugar Mix’ textured wall and floor tiles from Beaumont Tiles. ‘Urbane’ freestanding bath and mixer from Caroma. Jamie Durie for Riva 1920 ‘Ficus’ stool from Fanuli. (Photography: Alana Landsberry | Styling: Maria Papantoniou)
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Since the house was finished late last year, Jamie’s focus has been on its eco features to demonstrate how promoting sustainability needn’t compromise on aesthetics – and sharing the property’s incomparable light and views over Pittwater with a stream of lucky guests. “This place faces due west,” he points out, “which is why I called it Belah House, the local Indigenous term for ‘sun’.”

Down at the boat house, a Vergola louvred roof shades the deck and outdoor kitchen by EMT Building Group. Jamie Durie for Unopiu ‘Hugo’ outdoor furniture. (Photography: Alana Landsberry | Styling: Maria Papantoniou)

Few people have travelled the world as much as Jamie, but what’s crystal clear is how much the design star is in his element here. In his own words, it’s “a refined piece of living sculpture.”

ON THE MARKET

Jamie Durie might not have envisioned ever leaving his sustainable masterpiece – at least anytime soon – but when offers started rolling in for numbers in the $30 millions, the family began to reconsider. Especially when a 30-hectare farm in the Byron Bay hinterland was calling their name. “We want to give the kids a couple of years on the land before they start school, and if we don’t do it now we’ll be trapped in the city and private schools forever,” Durie explained to AFR Weekend about the couple’s decision to move on.

Now, the 9-level, eco-friendly family home is looking for its next owners via expressions of interest to McGrath’s James Baker.

The shelving unit in sustainably sourced spotted gum doubles as a structure for the grand staircase and holds Japanese pots and Trampt Art vases. Børge Mogensen chair from Vampt Vintage Design. Large commissioned artwork behind shelves by Indigenous artist Dean Rotumah. Luna, the family’s Rhodesian Ridgeback, rests on a chair. (Photography: Alana Landsberry | Styling: Maria Papantoniou)
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A Jetmaster outdoor fireplace is perfect for the colder months. (Photography: Alana Landsberry | Styling: Maria Papantoniou)
Surrounding the infinity-edge pool are Zen ‘Creamstone’ mosaic pool tiles from Beaumont Tiles. (Photography: Alana Landsberry | Styling: Maria Papantoniou)

The Design Team

Jamie Durie: jamiedurie.com
Silvester Fuller: silvesterfuller.com

Shop the look

Jamie Durie for Riva ‘Bungalow’ bench
Fanuli, $8,190

Natural Cameron Throw
Country Road, $299

‘Stingrays’ by Rebekah Clark
Cleo Collects, from $190

Liquid Vase Medium – Cappuccino
Dinosaur Designs, $145

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